This was my very first short film project in university—an experimental, Gen Z-style comedy made with more chaos than clarity. While I’ve grown a lot since then, it was my first real experience designing lived-in, character-driven spaces: messy rooms, party aftermaths, and styling that reflected a younger, wilder tone.

​

It wasn’t perfect, but it taught me how to make the most of a low-budget set and how much the right styling can help carry a story (even a wild one). Not the project I’m proudest of, but definitely one that helped shape my early voice.

​

​

Art Direction & Styling by yours truly

​

​

A Thousand Splendid Sons